‘I found my mom’s body. Or I guess I should say her body found me.’
If the secret to an addictive story lies, in some great measure, in the power of the first line, then Kelly Simmon’s The Off Season begins to hook you from the outset with its own gripping opener.
Set in the fictional bay area town of Red Cliff in Maryland, at the centre of the story is a young girl, Savannah, who everyone calls Vann, and who was the one who discovered her mother drowned in the bay. From the very beginning Vann suspects that something more than an accident lies at the heart of tragedy and embarks on a journey towards the truth. The beauty of the story is found in Vann’s increasingly interdependent relationship with local police officer Nate Hunter who lives on a boat in the bay whilst running the small police department and harbouring his own unresolved history.
Vann, whose layers are increasingly laid bare through the inspired device of a number of diary entries as she is growing older, brings to mind other strong female characters such as Heather in Jess Lourey’s The Quarry Girls, Harriet in Donna Tartt’s The Little Friend, and even Scout in Harper Lee’s seminal classic To Kill a Mockingbird. Simmons sums her up beautifully as ‘A young girl going all Harriet the Spy with her notebook.’
The growing trust between Vann and Nate moves from grudging to respectful to finally mutually protective with both of them filling the spoken and unspoken voids in their respective lives. It is these nuanced characterisations that make the protagonists and what’s at stake at the heart of the investigation leap vividly from the pages.
This is a compelling detective story, wrapped in the lyrical beauty of Simmons’ prose and leaves the reader with a shocking, unique and memorable resolution.
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